In 1996, the filmmaker journeyed to the city Salvador Da Bahia – the African heart and soul of Brazil – seeking the identity of the spirits who haunt his dreams. Twenty years before, his mother made a parallel journey when she migrated with the family to Tanzania, East Africa in search of a mythic motherland. Shot entirely on silent Super 8 film by three generations of an African American family, “That’s My Face” creates a mythopoetic feast of self-discovery.